Tuesday 11 August 2015

Nine to Five


I posted this originally on Wattpad, but apparently you have to sign up to that site before you can read this, so I'm posting it here for the 'benefit' of those who are not signed up.  It is the first chapter/story of my short story collection titled A Lifelong Day' which will be released some stage later this year, hopefully!

It was the same drive every day, the same route taken from the newly built development on the outskirts of the small market town, past the school his children attended; quiet now, for a few weeks anyway, the summer holidays just beginning, kids already forgotten the place. The same drive into the busy car park, early enough to get one of the coveted free spaces on the lower level. Three pounds a day! Fifteen a week. Even if he wasn't a bank manager, he would be able to see the advantage of getting up and leaving the house a little earlier. Plus, it gave him twenty minutes of peace and solitude between the madness of home and the hustle and bustle of work.
He was on a beach somewhere, Mexico maybe, or Thailand. It didn't really matter, what was important was that he wasn't sitting in his car, in this car park on a rainy Wednesday morning in June.  It was supposed to be summer, but it had been raining since, when, Saturday? He could almost feel the sea lapping at his feet, the sun slowly turning his under-exposed chest a rather alarming shade of pink. Smiling at the thought of being somewhere other than here, he closed his eyes and allowed himself this moment.
Connor Doherty had always appreciated a simple life, he enjoyed the mundane, the routine. His job afforded him all these qualities in abundance. He had been working in the same bank since he left school, working his way up from cashier to manager in a fairly unimpressive career of steady if unremarkable progress. Twenty-seven years, not one sick day. He was very proud of that, he could look anyone in the eye, and be proud of that. It might not be much, certainly not akin to losing one's leg in a war saving the lives of your comrades, or developing a cure for cancer, but it was all he had, and dammit, he was proud of it.
The second alarm of the morning buzzed on Connor's phone, bringing his twenty minutes to a sad and unsatisfying conclusion. Sighing deeply, Connor returned his seat to the vertical position, got out of the nine-year-old family car, and started making his way to work. Huddling under his golf umbrella, which had never even seen a golf course, Connor crossed the car park, exchanging the usual pleasantries with his fellow commuters.
As was normal, on the walk to the bank, his thoughts drifted home. His wife, Susan, his Susie, who wasn't quite his anymore. She wasn't quite anyone's, not even herself. He had begun to lose her years ago, but the death of her father three years earlier, seemed to have sealed the deal. Rarely found out of bed, Susie has withdrawn almost completely. Conversations are difficult, drawn out, one-sided affairs that leave Connor frustrated and angry. Angry at himself for not knowing how to help the woman he loves, frustrated because he has to try.
The kids can't help. How could they, they're only children. Lucy is thirteen, and Darragh not much older at fifteen. Probably the only children in school who had been dreading the holidays, knowing what their summer would consist of. Today was the middle of the first week of their summer, and he hoped they would get into town today, to spend time with their friends, to be normal, or at least pretend to be. Connor toyed with the idea of taking them away for even a couple of days, but dismissed the idea almost immediately. Susie would never go for it, you know I'm not well enough for a trip like that, why even mention it, just to make me feel worse, now I'm the one not letting them have a holiday, you always do this Connor, it's hardly my fault I'm sick!
The morning passed, as mornings tend to do, slowly and uneventfully. Paperwork was a tedious business, but at least he was spared the actual face-to-face meetings with disappointed or dissatisfied customers. That sort of thing was best left to others. As Connor's tea break approached, (it was good to keep to a routine, even though as manager, he could have tea all day if he wanted), he continued to think of the holiday he couldn't have. A week in Spain, one of those package deals he has seen advertised in the window of the travel agents' around the corner. Even a city break, three days in Madrid or Barcelona, surely Susie could cope with that.
He sipped his tea, imagining it was a CafĂ© Carajilo with a generous dash of rum. Sitting on a terrace on the Plaza Mayor, or on the waterfront at the bottom of Las Ramblas while Susie took in the shops with Lucy; Darragh and himself people watching, just chilling out. If they were lucky there was a game on, and they could see it on a little television screen behind the bar beside them. Cheering on Atleti, or Espanyol like locals. He always imagined Real and Barca were only supported by tourists and that the locals supported the smaller of the city's teams. Darragh had gotten an 'A' in Spanish in his last exam; he was a natural at languages, so unlike his father. He'd love to have an excuse to put all this learning into practice, he'd be so proud sitting there conversing with the staff, ordering them all their food and drink. It would be great for both the kids, they've never been anywhere. Do they even have passports?  He'd have to look into that when he got home this evening.
Lunchtime came, and Connor decided to see what was what in the travel agents. Three nights in Spain's capital for the four of them, a chance to get to know each other again, he was beginning to get excited. This was the most impulsive thing he had done in years, to hell with it, he'd talk Susie into it somehow, so he went right ahead and booked the holiday.
The rest of the day went by in a bit of a blur, at times rushing by as his adrenaline levels peaked with the thought of actually telling Susie, at times it seemed the clock on his office wall was broken, as he came back to earth with the reality of how that confrontation might go.
He couldn't wait, though, to tell Darragh and Lucy. He could picture their faces, Lucy looking up at him with those big beautiful blue eyes, Daddy! Really! We're really going?! Wait till I tell them, can I tell them now!? And then rushing off to facechat, or snapbook, or whatever. And Darragh, What about Mum? What will she say? So practical, not wanting to get carried away, probably won't believe it until he's actually on the plane, practising his Spanish.
The butterflies in his stomach were huge by the time 4.30 arrived and the bank closed, just the supervision of cashing up to be done. He left a couple of minutes after five, walking on air, with the weight of the world on his shoulders. He was so keen to get home (when was the last time he could say that?) he decided to forego his usual latte at Al's coffee shop. The rain had stopped sometime in the afternoon, the puddles drying on the pavement as he practised his speech on the way back to the car.
Connor removed the envelope the girl in the travel agents had given him, and placed it reverently on the passenger seat beside him. His gamble, he began to doubt himself, and his sanity. It wasn't like things weren't bad enough at home, without risking this. Over what? A couple of days in Spain? He was mad, certifiable even. He knew what Susie would say, hadn't he been over it this morning? He looked at the envelope, and thought of Darragh and Lucy. Screw her, we're going, whether she likes it or not.
He couldn't help it, he was angry with her, he spent a lot of time angry with her, although he tried to deny it, even to himself. He couldn't figure out why she just didn't get out of that damn bed and do something, anything! He didn't understand the mood swings, from depression to apathy, and most things in between. When her father died, she became these extremes that had always threatened the edges of her personality. It was like she had kept them at bay, just, for years, but couldn't, or wouldn't, fight any longer.
Her father had been a mean man when sober, which wasn't very often, and a cruel bully when drunk, which was. Susie was an only child and as such, often the only buffer between her father's rage and her mother. Her childhood was a long list of visits to the hospital, no social services back then to report domestic abuse to, no outreach program to help families. Connor avoided the man as much as was possible while he was alive; family gatherings were always held at Susie's family home, so they could leave on their terms. The children were always kept at a distance.
Connor had hoped when the old man died, Susie would come out of herself a little, but the opposite happened. A wall grew between her and everyone and everything. Even Darragh, who was such a mummy's boy, practically surgically attached to her apron strings, was pushed away.
Pulling into the drive, Connor looked up to the bedroom window. The curtains were pulled apart, and the windows open. He could hear music coming from the back of the house, from the kitchen. Thinking his timing could not have been better, Connor grabbed the envelope with their holiday inside and rushed, for the first time in years, into the house to see his wife.
Susie, his Susie, for she was always his Susie, and always would be his Susie, was standing at the worktop, preparing dinner. It was a picture perfect moment, his idyllic family life, Honey, I'm home. Even the kids were there, he could hear them in the living room, arguing about who got to watch what on television. He couldn't have planned it better. He could tell them all together, make the evening doubly perfect. Viva Espana!
***
The rain streaked down the bedroom window as the car pulled out of the long drive. As Susie watched Connor head towards the town for another day at the bank she knew how lucky she was. He was a wonderful husband, and an even better father to their two children. She knew she wasn't the easiest person to live with, but he put up with it, with her, with barely a cross word. Today would be a better day, she promised herself. The same promise she had made every day since he died.
Gerry Breslin had been an impressive man, physically at least, if not in any other department. The complete opposite to her Connor, which was probably why she was so drawn to him. Connor represented everything her father didn't; security, reliability, dependability.
Susie did this a lot, she realised, listing Connor's qualities on her fingers. Would it be so hard to tell him every once in a while?!
Sometimes she was so calm, so normal, she could almost feel herself again. Her old self, if there even was one, if she was actually still there, inside somewhere. She doubted it. She knew she wasn't quite herself, hadn't been for years. But contrary to the stories, admitting you have a problem isn't always the first step to fixing it.
Some mornings, like this one, after Connor leaves for work, Susie would find herself staring out the window after him. He always leaves so early now, even though the bank doesn't open until nine-thirty, and he's the manager, he can show up whenever, no-one is going to say anything to him. She knows it's because he can't stand to be here any longer than he has to be. He might even be having an affair. She dismisses this thought almost immediately, no way, not my Connor.
The back door slamming shut startled her from her daydream, the kids leaving for school, no, not school, it was the summer holidays, she knew. She knew they didn't want to be in the house all day, left here with her all day. She smiled a little, wished them every happiness, even if was just a day aimlessly wandering through the shops with their friends. She could cope today, she could be strong for the whole day. One day at a time, isn't that what she was always being told? Even they had stopped coming to say goodbye, how she used to love seeing their little faces as they headed off for their day, her babies, so grown up. She missed them, missed being their mummy.
Susie had always struggled with depression, she couldn't pinpoint when it started, not exactly, but she remembered even in her own childhood, shying away from social events, almost deliberately neglecting friendships to the point where what friends she did have eventually stopped calling round, stopped phoning. It always seemed easier being on her own.
Not on her own exactly, she had her mother, who needed her more than any of those silly girls from school. Life was difficult at home; her father was a mean man, and a drunk to be perfectly honest. Even when he was sober, which wasn't very often, he was a cruel man, with a cruel tongue. When he was the other side of drink, his cruelty migrated to his fists, and not uncommonly, his feet. Regularly he could be found holding Susie by the throat while kicking his wife. The neighbours would turn the wireless up rather than come to their aid, once bitten twice shy, as a bloodied nose a few years ago put paid to the crossing of Gerry Breslin's threshold when he was on one.
As she grew older, Susie's patience with her mother began to wane. She couldn't understand why she put up with him, what hold he could possibly have on her to make her stay, to put her daughter through this, night after night, year after year. The anger built up within, but unlike her father she was unable, or perhaps unwilling to release it. It gnawed at her, tormented her, changed her gradually.
When her father died all this anger and resentment died too, but when that happened, Susie realised that that was all she had. So many years of defining herself by her father, and by his actions, had left her empty. She was an empty shell, and unable to fill that space where the bitterness lived. She knew it was irrational, she had a wonderful life, and a wonderful family, but there was nothing inside of her.  Her father had taken everything she had and turned it into pain. Without that pain, she didn't know who she was anymore.
Today was going to be a better day. Her morning mantra. She watched Darragh and Lucy turn the corner towards the town, and their freedom from the darkness of the house. Darragh so very protective of his younger sister; Lucy idolising him, but obviously never ever going to admit it. She decided she was going to do something today, if not for herself, for them. She was feeling better today.
***
As he called Darragh and Lucy into the kitchen Susie turned around, and instinctively Connor stepped towards her to give her a hug, a hug he'd been holding onto for three long years. God, it was like she was never gone, he still loved her so much, this holiday was going to be perfect! It took the breath from him. He looked down, the kitchen knife, bloody in Susie's hand, sliding slowly out of his stomach. You bastard, daddy, leave mummy alone!
He looked down as the envelope slipped from his outstretched hand and closed his eyes.

Monday 20 July 2015

The Wandering Earth, by Liu Cixin


 I read this because of the hype surrounding Liu Cixin's more recent novel, The Three Body Problem. I wanted to read some of the author's work before I committed to the first of a trilogy of hard sci-fi. To get a feel for his style, and an idea of his ideas.
 This novella, I felt would be a great jumping-in point. I'm glad I gave it a go. High-concept science fiction is not something I read a lot of, but this was presented in a very readable manner. Some of the exposition is rather clunkily delivered through dialogue, but this may be a translation issue, and does not take away too much from the piece.
 A brilliant concept, that in order to survive the sun becoming a red giant, humanity must take to the stars. Deciding that a generation ship would not be sustainable for the distance, or the length of time of the journey, the powers that be decide to take the Earth instead, hence the title. 
 I don't know how accurate the science behind the story is, but that doesn't matter, it reads as plausible, and the suspension of dis-belief is as necessary here as in fantasy. 
 I look forward to reading more of this author's work, even if it might take a while to wrap my head around the science.

Knight's Shadow (Greatcoats Book 2), by Sebastien de Castell


This book had a lot to live up to. One of last year's standout debuts, Traitors Blade was a fun action-packed thrill ride owing more than a little to Alexander Dumas and his Three Musketeers. 
The sequel, much bigger in terms of both size and ambition, was very eagerly awaited.
And it did not disappoint. In terms of storyline, we meet up with our three heroes more or less where we left them. A new band of Greatcoats has risen to take on Trin, the ducal heir with designs on the throne. The story here is much more complex and ambitious than the first volume, with deep political intrigue played off against stunning action sequences, which make for a compelling tale.
The story is told from Falcio's perspective, but, like in the fist book, Brasti and Kest get enough time to develop further and allow us to see their motivations as well as Falcio's. We also see other characters points-of-view and, mainly through confrontations, get to see what makes them tick as well. It makes for a fully formed story, and is much better for having fully formed characters rather than mere caricatures.
Tristia is a fascinating setting, with a political landscape which feels very real. The dukes and the Knights make for unsettling antagonists, with a sense of evil surrounding their plans for the country. It is through this conflict de Castell shows us his world, and the various people who populate it, the villagers and the nobles alike.
With more sequels planned, Tristia will only grow, and hopefully we will see more of it.
Bigger and better than its predecessor, Knight's Shadow is a wonderful sequel, managing to keep the tone of the original intact while at the same time expanding the themes that made it so good. The Greatcoats series is thriving, and I look forward to the next instalment.

Knight's Shadow is published in the UK by JoFletcherBooks

Tuesday 7 July 2015

The Liar's Key (Red Queen'sWar, book 2), by Mark Lawrence


I've read that The Liars Key is not a redemption tale. I think it absolutely is. Perhaps not for Jalan, but for the reader. We may not like to admit it, but we all have the same feelings as Jalan, the same weaknesses, and it's in the ownership of these that we, like Jal, become more. Like it or not, most of us are more Jal than Snorri, and it's that acceptance which drives this story.
Prince Jalan Kendeth of Red March began the first book as unlikable a protagonist as one could hope to meet, but by the end of this, the second volume, having admitted to himself, and us, that there is so much more to him than his cowardice and his greed, he emerges as a figure of strength and loyalty. It is a story of discovery, of finding oneself through adversity. Despite his best efforts, Jal becomes a hero. While failing utterly to escape unscathed on several occasions, he manages to, among other things, escape from one prison and break into another, fight a horde of Red Vikings, necromancers, and well, the list is quite extensive by the end. And yet, Jal is still unconvinced. A lifetime of pretending, quite well it must be said, to be one thing, is a hard habit to break. But if we can open those doors, and admit that maybe, just maybe we are more than the sum of our parts, there remains hope.
It is a common human trait to put oneself down, to look past our achievements and our qualities, and focus only on the negatives, on the things we can't, and ignore the things we can. If Jal can show us one thing, it's that when push comes to shove, if he can, we can.
A wonderful story with a fantastic setting, and a very important message at its core. And it's damn fun too.

Tuesday 16 June 2015

Fiction on Foreign Planets, Volume 3 by Sean Kavanagh


                       As usual Sean Kavanagh does not disappoint with another strong collection. With a couple of real standout stories, and a very sharp eye for consumerism and the apparent need for easiness, the author creates versions of our future which might not be too far wrong.
A reading time of around 30 minutes makes this book the ideal commuter accompaniment for fans of the genre.

Available to buy on Kindle here


Kindle here

Wednesday 10 June 2015

Tide of Shadows by Aidan Moher


The first thing that impressed me about this book was the cover. Hauntingly beautiful, with an impression of scale and loneliness, an impression which is realised and amplified throughout each of the five stories which make up this wonderful little volume.
Each of the five stories is told from one or more unique perspectives, and the characters Moher draws are achingly real. Although each story is short and so the time we get to spend with the characters is all too brief, each leaves a real sense of completion, which can be a problem in some works so short.
'A Night for Spirits and Snowflakes' is a story of war, or rather of the after effects of war, of burying the dead and of saying goodbye.  The main character buries each of his mates in turn, and we re-live their deaths through their own eyes.  This is a very clever story telling technique in that each of the soldiers gets their own voice and their own motives.
'The Girl with Wings of Iron and Down' is loneliness personified, the eponymous girl wakes periodically to be called by a name which isn't her own, and subjected to pain and anguish.  Feelings of a loss of self and identity are explored among other themes, and the result is strangely compelling, demanding repeated re-readings.
'Of Parnassus and Princes, Damsels and Dragons' is a quirky little tale, subverting the big bad dragon and damsel in distress tropes.  Here Moher creates an unlikeable 'hero' and a equally unlikable damsel, but while this may be becoming standard in some fantasy circles, what marks this separate is the comic value.  Deliberate use of language tools such as alliteration and repitition are employed to create a real fairytale scene with a difference.
'The Colour of the Sky on the Day the World Ended' a beatifully written tale about a young girl and her (imaginary) dog on the hunt for a hidden fruit in a post-apocolyptic world.  At less than 700 words, it packs a lot in.
'Tide of Shadows' brings the collection full circle, following another soldier, this time on the eve of battle.  In the first story we meet a soldier dealing with the effects of war, in this we join a soldier about to enter the fray.  Moher cleverly bookends his collection with similarly toned pieces, told from very different angles.  What I found interesting was the positioning of the two, with the piece after the battle at the beginning of the collection and the story leading into war at the end, suggesting a never ending cycle of self-destruction and hopelessness.  We see the terrible effects of fighting, yet even after this, another war is inevitable.
A very powerful work, with very much to recommend it.

(The author provided me with a free copy in exchange for this honest review)
Available on amazon

Sunday 19 April 2015

An Interview with author Sean Kavanagh

Sean Kavanagh, author of Fiction on Foreign Planets, Volume 1 and Volume 2, previously released and reviewed here as A Country Fit For Zeros , has released his third collection of short stories, They Came For Our Eyes and he has also been generous enough to take the time to answer a few questions for me, in what is the first (of many I hope) interviews on this blog.

 Firstly Sean, thanks so much for taking time out to speak to me, (and for being a guinea pig of sorts), for the benefit of anyone reading this who hasn't yet read your work, if you could sell yourself to them in a single sentence, what would it be?
 I love to write the sort of books I’d like to read: fun, offbeat genre fiction – that I think that might appeal to other people.
Your short story collections are fantastic, is there any chance of seeing some longer stuff?
 That’s my main focus now.  I love short stories, both reading and writing, but the majority of readers want something longer – so that’s where I’m putting my efforts now.  I have an offbeat spy novel called “The Handover” due out later in the year, and some novellas due in the next few months.  I’m probably going to be phasing out the short stories from now. 

Can you tell us a little more about what you're currently working on?
 There’s the spy thriller, “The Handover”,  which is set in 1970s Britain and is a race-against-the-clock style yarn, set against the background of the oil crisis.   It’s essentially a movie done in book form.   I also have a couple of novellas, including a science fiction one called “The Lost Episodes”.

 There's a very specific style to your writing, will your long form pieces follow a similar style, or will there be a marked shift in tone, and even genre? 

 The longer books will be a bit more conventional, to make them accessible, but the odd and quirky ideas will still be there, just presented in a way that will hopefully appeal to more people.
 Who do you consider your major literary influences?
 I guess the first books you read and enjoy have the biggest influence on you.  For me that would be Douglas Adams, Stephen King and probably JG Ballard.
 What do you do when your not writing? How do you spend your down-time?
 Either watching all the great TV drama that’s on at the moment (we're in a bit of golden age with Mad Men, Hannibal, Breaking Bad etc), or, playing and collecting retro video games.  I used to write columns on retro gaming for a few websites – they’re probably still floating out around there somewhere.
 Do you get time to do any reading for recreation? If so,who are you reading now?
 Mainly I read on the commute to and from work – which given how slow the trains are can be a decent amount of time. I have to do a lot of reading as research for my day job in TV and advertising, so fiction is squeezed in between that.  I’m literally just starting “Bitter Seeds” by Ian Treggillis.
  Who's your favourite author we've never read?
 It’s more a series than an author: Simon R Green’s “Death Stalker” space opera series – which I can only describe as fun fun fun!
 If you were in a locked room with only one book, which book would you want it to be?
 Probably a book on escapology as I’m severely claustrophobic.  If not, then I’d have to go for a Philip K Dick short story collection.
 Thank you so much Sean, and finally, do you have any advice for aspiring authors?
 None I’m afraid – I’m still figuring it all out myself.

Thank you Sean, I think that's how we all learn, by doing, and as far as i'm concerned, you're doing very well this far.  I want to take this opportunity to wish you all the best in the future, and i will be eagerly awaiting both The Handover and The Lost Episodes.

You can find Sean's works available to buy on his amazon page.

Wednesday 8 April 2015

Traitor's Blade (Greatcoats Book 1), by Sebatien De Castell


 "The King is dead, the Greatcoats have been disbanded, and Falcio Val Mond and his fellow magistrates Kest and Brasti have been reduced to working as bodyguards for a nobleman who refuses to pay them. Things could be worse, of course. Their employer could be lying dead on the floor while they are forced to watch the killer plant evidence framing them for the murder. Oh wait, that’s exactly what’s happening…

Now a royal conspiracy is about to unfold in the most corrupt city in the world. A carefully orchestrated series of murders that began with the overthrow of an idealistic young king will end with the death of an orphaned girl and the ruin of everything that Falcio, Kest, and Brasti have fought for. But if the trio want to foil the conspiracy, save the girl, and reunite the Greatcoats, they’ll have to do it with nothing but the tattered coats on their backs and the swords in their hands, because these days every noble is a tyrant, every knight is a thug, and the only thing you can really trust is a traitor’s blade."



Described as a swashbuckling epic reminiscent of Alexander Dumas, this certainly evokes memories of the famous French author.  The Greatcoats are de Castell's musketeers, and they fill that role with aplomb. Falcio is a slightly older, more experienced, and jaded d'Artagnan with Brasti and Kest taking on the roles of loyal companions, much like Porthos, Athos and Aramis.

But it is from this inspiration that the book takes on its own life, and leaves seventeenth century France behind.  de Castell has created a rich world with great depth of history and social order, and it is within this landscape that Falcio and his Greatcoats are struggling to survive. Battles with evil dukes, vicious and cruel aristocratic ladies and politics to rival anything GRRM has conceived, this truly is an epic tale just beginning.

There are genuinely funny moments too among the intrigue, the relationships between Falcio and his two companions strikingly real, and honest, with the author not holding back from revealing both sides to an argument without forcing one view upon the reader.  Kest and Brasti are foils for Falcio, with each of the three having a unique perspective, and not backward about expressing their opinions. This gives the reader an opportunity to see the politics unfold from more than one perspective, while the story is told from Falcio's point-of-view, Kest and Brasti have enough meaningful dialogue to be fully rounded characters, who exist to provide this complex world with more than black and white, good versus evil, but with various shades of grey.

With book two just released, this complicated world and its fascinating political landscape looks like getting bigger and better!

Published by JoFletcherBooks in the UK.



Sunday 15 March 2015

They Came For Our Eyes by Sean Kavanagh


Excellent as always by Sean Kavanagh. A darker twist than his previous two collections, but retaining the same short, sharp clarity of prose I've come to expect from his writings.


The Twelve, by Sean Smith

A piece of short fiction I have written for a competition.  Any and all feedback welcomed.


He made me a liar. He made us all liars. For years the twelve of us, hooked on every word, rapt with awe at the tales we were fed, believed him the hero the world believed him to be. We were his chosen, his acolytes, his disciples. And we were chosen to continue his legacy in our own corners of the world.
Twelve of us, one for each province. A saviour of our own lands, taught by the best the world had ever known. But all the world had ever known was lies.
In the before, when the world was only one, the world only needed one hero. But then the chasms formed, and the world was twelve, and so twelve worlds needed twelve heroes to follow. So we twelve followed the One.
For twelve years we studied under his constant guidance, his tutelage, his discipline. We all bore the scars of his displeasure, both physical and other, deeper, harder to hide.
The worlds were changing faster than we were learning, and all the One's lessons were based on History, and a false history at that. Everything we had been taught, everything we knew, everything everyone knew, was a lie. The key was proving it. We could save the world, the twelve worlds, if we could prove it.

The Fire Sermon by Francesca Haig

Four hundred years in the future, the Earth has turned primitive following a nuclear fire that has laid waste to civilization and nature. Though the radiation fallout has ended, for some unknowable reason every person is born with a twin. Of each pair, one is an Alpha—physically perfect in every way; and the other an Omega—burdened with deformity, small or large. With the Council ruling an apartheid-like society, Omegas are branded and ostracized while the Alphas have gathered the world’s sparse resources for themselves. Though proclaiming their superiority, for all their effort Alphas cannot escape one harsh fact: Whenever one twin dies, so does the other...

A wonderfully rich book, with huge ideas. Two very engaging lead characters, who by the end you really begin to feel for and care about.  This book says some very interesting things about disability, and the story being told through the eyes of Cass, an Omega, one of the marginalised, keeps this issue at the forefront of the readers' mind. Cass has no obvious defect, unlike her comrade, Kip, who is missing an arm, but rather is a seer, blighted by visions of the nuclear blast, among other things. The story follows Kip and Cass as they escape Cass's twin Zach, one of the leaders of the Alpha council, and the mysterious Confessor.
Making their way to a rumoured safe-hold, an island where Omegas are free and have established a resistance, the novel charts their relationship, while revealing the plans of the Alphas.  Marginalised, controlled, oppressed, the Omegas are victimised from the moment their defect becomes apparent, and this book doesn't shy away from highlighting this discrimination.

Very definitely a Young Adult book, but a book that can, and should be read at any age.  I remember reading Z for Zachariah at secondary school, and this book reminded me of that, with the themes of nuclear war, individual freedom, scientific taboo and the danger of the wrong people having too much power.  I wouldn't be surprised to see it on the syllabus in the coming years.


Thanks to netgalley, and the publisher HarperCollinUK for the free copy in exchange for this honest review.








Saturday 24 January 2015

The Younger Gods by Michael R. Underwood



I enjoyed this book, but I loved the ending. I won't give anything away here, but suffice to say that Underwood turns the entire book on its head in such a way that makes absolutely perfect sense.
The main character, Jake, however, is massively annoying. I understand where the author is coming from in giving him such a distinctive voice, but at times its a step too far. The rest of the characters give a little more diversity to the proceedings, but I'm hoping in the following books, that Jake is toned down slightly, and the secondary characters fleshed out to more than just friends with slightly different abilities.
There's certainly enough about this book to make me interested in the next one in the series, but a few issues to be addressed.

Thanks to Pocket Star (Gallery Books), via NetGalley for the free copy to review.

Thursday 8 January 2015

The Great Zoo of China by Matthew Reilly



Jurassic Park meets How to Train your Dragon. I can't think of a better way to describe this book.
A fantastic read, which drew me in from the very beginning, and refused to let go throughout this breathtakingly dizzying action-packed fun fest!
Set up with a minimum of exposition, and a little background to China's socio-economic status, when the story gets going, it REALLY gets going.
The book reads like the Hollywood blockbuster I'm sure it will become, and I continually found myself imagining how the dragons will look on-screen. And to be honest, that's made easy thanks to the wonderfully vivid descriptions Reilly gives us. Every scene, character, and action sequence is written perfectly in the context of the story, and it all blends together to create a brilliantly unique reading experience. I've rarely, if ever, read a book so focused on action, and this pulls it off.
At times the book verges on the excessive, and the quite frankly silly, but somehow this doesn't take anything away from it.
Rip-roaring stuff.

Thanks to Gallery Books, via NetGalley for the free copy to review.